Everything together, in motion.

End of the series. Thinking about how few elements (physical + metaphorical) remain from the original Seligman. + what has been retained. The residue seems to be little, yet this final film is still the product of the painting. What is representation, anyway, but a series of removes?

In the film: looking at treating text as a formal object + juxtposing graphic forms on organic substrate + layering of produced melodies on ambient sound/noise.

View the film (Quicktime, 14MB)or to download: [Windows: right click, save as |
Mac: CTRL+click, save as]

Sound credit: Moby, "18"